POSTMODERN NARRATIVE TECHNIQUE IN ONDAATJE'S THE ENGLISH PATIENT

Please use this identifier to cite or link to this item: http://localhost:8080/xmlui/handle/123456789/1434

Full metadata record

DC Field	Value	Language
dc.contributor.author	Vijayalakshmi T	-
dc.date.accessioned	2020-09-12T08:00:56Z	-
dc.date.available	2020-09-12T08:00:56Z	-
dc.date.issued	2018-03	-
dc.identifier.issn	2320-2882	-
dc.identifier.uri	http://www.ijcrt.org/papers/IJCRT1872392.pdf	-
dc.identifier.uri	http://localhost:8080/xmlui/handle/123456789/1434	-
dc.description.abstract	Postmodernism is an entirely different style of thinking about the world. Structurally Ondaatje’s The English Patient does not have any chronological order narration between the present action in the Italian Villa and the flashbacks to memories of a mysterious desert romance, which is gradually unfolded. In the fragmentary structure the remains of history continue to haunt the present. Fragmentation is one of the significant features of postmodern techniques and it is revealed through fragmented language. The relationship between past and present is not that of a linear progression. Instead, through such fragments, the past is drawn into the space of the present. The glimpses of personalities and shadows of stories merge together.	en_US
dc.language.iso	en	en_US
dc.publisher	IJCRT	en_US
dc.subject	non-linear narration	en_US
dc.subject	fragmentation	en_US
dc.title	POSTMODERN NARRATIVE TECHNIQUE IN ONDAATJE'S THE ENGLISH PATIENT	en_US
dc.type	Article	en_US
Appears in Collections:	International Journals

Files in This Item:

File	Description	Size	Format
POSTMODERN NARRATIVE TECHNIQUE IN ONDAATJE'S THE ENGLISH PATIENT.docx		10.35 kB	Microsoft Word XML	View/Open