Collection's Items (Sorted by Submit Date in Descending order): 21 to 40 of 54
| Issue Date | Title | Author(s) |
| 2022-07-07 | PETRO-WARFARE AND DEPARTED CHILDHOOD: A STUDY OF MARJANE SATRAPI’S PERSEPOLIS AS A PETROFICTION | Jeyasiba Ponmani S; Narasingaram, Jayashree |
| 2019 | ENDURANCE THROUGH ASPIRATION: A STUDY OF REFUGEE CRISIS IN ATKA REID AND HANA SCHOFIELD’S GOODBYE SARAJEVO | Preethi Ravi; Narasingaram, Jayashree |
| 2018 | PARADIGM OF FEMINISTIC INTROSPECTION IN THE SELECT NOVELS OF COETZEE | Kanchana C M; Narasingaram, Jayashree |
| 2016-06 | TRANSLATING TAMIL HAIKU: TRANSCENDING LINGUISTIC AND CULTURAL IMPEDIMENTS | Narasingaram, Jayashree |
| 2018 | KALEIDOSCOPIC PANORAMA IN VICTORIA HOLT’S THE QUEEN’S CONFESSION | Narasingaram, Jayashree |
| 2017-02 | FEMALE PSYCHE AND THE QUEST TO MOVE ON IN LIFE IN ANITA NAIR’S LESSONS IN FORGETTING | S, Shiji; Narasingaram, Jayashree |
| 2018 | STUDY OF ATTACHMENT THEORY IN SUDHA MURTHY’S THE MOTHER I NEVER KNEW | N R, Prashanthi; Narasingaram, Jayashree |
| 2017 | INTRINSIC VALUE OF ANIMALS AGAINST ANTHROPOCENTRISM: AN ECOCRITICAL PERSPECTIVE OF LAWRENCE ANTHONY’S BABYLON’S ARC | Sofiya Azad; Narasingaram, Jayashree |
| 2015-12 | A READING ON THE PORTRAYAL OF THE FEMALE TRAGIC FATE IN MANJU KAPUR’S SELECTED FICTION | Anusha Mathew; Narasingaram, Jayashree |
| 2016 | THE PORTRAIT OF THE NEW WOMAN IN SHOBHA DE’S SISTERS AND MANJU KAPUR’SHOME | Anusha Mathew |
| 2020-02 | GENDER IDENTITY AND SOCIALISATION IN YANN MARTEL’S SELF | Vijayalakshmi T |
| 2018-03 | POSTMODERN NARRATIVE TECHNIQUE IN ONDAATJE'S THE ENGLISH PATIENT | Vijayalakshmi T |
| 2015-02 | MYTH AS A TOOL FOR PROMULGATION IN THE POETRY OF W.B.YEATS | T, Poornamathi Meenakshi |
| 2018-02 | LOVE, SUFFERING, AND HOPE IN EDWIDGE DANTICAT’S “CHILDREN OF THE SEA” | T, Poornamathi Meenakshi; Sushil Mary Mathews |
| 2017-03 | CONFIGURATION OF MEMORY IN EDWIDGE DANTICAT’S BREATH, EYES MEMORY | T, Poornamathi Meenakshi; Sushil Mary Mathews |
| 2016 | FEMINIST AND ANTI- RACIST DISCOURSES IN HIMMANI BANNERJI’S “WIFE” AND “PAKI GO HOME” | Sushil Mary Mathews; T, Poornamathi Meenakshi |
| 2016-02 | REFLECTIONS OF LOVE IN THE SELECT URDU GHAZALS WITH REFERENCE TO SHAMA FUTEHALLY’S SILVERS OF A MIRROR: GLIMPSES OF THE GHAZAL | T, Poornamathi Meenakshi |
| 2018-08 | POST COLONIAL ERA: EROSION OF HUMANISTIC VALUES AS DEPICTED IN ARAVIND ADIGA’S THE WHITE TIGER | J, Madhumitha |
| 2017-02 | CONFINEMENT AND STRUGGLE FOR LIBERATION IN JOHN MAXWELL COETZEE'S LIFE AND TIMES OF MICHAEL K | Madhumitha J; Lavanya S |
| 2017-01 | CHILDREN OF IRON: RESISTANCE AGAINST APARTHEID IN JOHN MAXWELL COETZEE'S AGE OF IRON | Madhumitha J; Lavanya S |
Collection's Items (Sorted by Submit Date in Descending order): 21 to 40 of 54
